Through a contextualization of the song, “Don’t Call Me Eskimo,” which was launched on the interactive website YouTube in 2007 and an analysis of three examples of hip hop culture drawn from her ethnographic fieldwork on Baffin Island in June/July 2008, the author makes the argument that hip hop culture in Nunavut enables a re-working of contemporary Inuit identity. As part of this re-working, Inuit youth mediate representations of themselves and their current lived experiences through mobile technologies and local networks, challenging common stereotypes and reified identities that continue to circulate in political, cultural, and national discourses
Katajjaq, or vocal games, has a long history among the Inuit of Canada. Practiced almost exclusively...
Researching Indigenous youth and their connections to Hip Hop culture and Indigenous cultures is rat...
In this thesis, I examine the ways in which a growing number of Indigenous artists in the United Sta...
There exists a common essentialized discourse about Indigenous peoples in Canada that has communitie...
In this paper, an Aboriginal rapper and settler-Australian Indigenous Studies lecturer collaborate t...
Hip hop is a powerful vehicle for the expression of identity and resistance in contemporary Aborigin...
To listen to hip hop is to enter a world of complexity and contradiction. —Imani Perry (2004, p. 1) ...
In hip-hop studies, Indigenous rap music has been garnering increasing attention alongside other non...
This paper explores the identity work taking place around contemporary subcultural hip hop amongst A...
The purpose of this research is to understand how Hip Hop has contributed to an understanding of opp...
Hip-Hop in the global context has worked as a music genre that strives to bring to the centre of dis...
Hip-hop is a global culture, where local representation is a core tenet of its ideological framework...
This presentation discusses the manifestations of White Working Class Pride through the analysis of ...
This book chapter examines specific case studies to look at the relationship between Australian Abor...
This study uses two research methodologies: retrospective life histories, and qualitative research m...
Katajjaq, or vocal games, has a long history among the Inuit of Canada. Practiced almost exclusively...
Researching Indigenous youth and their connections to Hip Hop culture and Indigenous cultures is rat...
In this thesis, I examine the ways in which a growing number of Indigenous artists in the United Sta...
There exists a common essentialized discourse about Indigenous peoples in Canada that has communitie...
In this paper, an Aboriginal rapper and settler-Australian Indigenous Studies lecturer collaborate t...
Hip hop is a powerful vehicle for the expression of identity and resistance in contemporary Aborigin...
To listen to hip hop is to enter a world of complexity and contradiction. —Imani Perry (2004, p. 1) ...
In hip-hop studies, Indigenous rap music has been garnering increasing attention alongside other non...
This paper explores the identity work taking place around contemporary subcultural hip hop amongst A...
The purpose of this research is to understand how Hip Hop has contributed to an understanding of opp...
Hip-Hop in the global context has worked as a music genre that strives to bring to the centre of dis...
Hip-hop is a global culture, where local representation is a core tenet of its ideological framework...
This presentation discusses the manifestations of White Working Class Pride through the analysis of ...
This book chapter examines specific case studies to look at the relationship between Australian Abor...
This study uses two research methodologies: retrospective life histories, and qualitative research m...
Katajjaq, or vocal games, has a long history among the Inuit of Canada. Practiced almost exclusively...
Researching Indigenous youth and their connections to Hip Hop culture and Indigenous cultures is rat...
In this thesis, I examine the ways in which a growing number of Indigenous artists in the United Sta...